Beauty in a Labyrinth of Darkness
Pan’s Labyrinth takes the viewer on an adventure through a maze of the fantastical. It is a rich mix between the harsh realities of everyday life and the beauty in imagination. The movie captures the beauty of a dark fantasy movie in the form of a fairy tale. From director Guillermo Del Toro, Pan’s Labyrinth is the epitome of a great dark fantasy movie highlighted with spectacular graphics and outstanding acting.
The story begins with Ofelia (Ivana Baquero), a young girl who has lost her father and is now being forced to live with her atrocious step-monster, Captain Vidal (Sergi Lopez I Ayats), at his army base. Her pregnant mother Carmen (Ariadna Gil) is accompanying Ofelia on this journey, as the Captain wants to be present when his son is born. When Ofelia reaches the base, she discovers a labyrinth of stones and bushes. As Ofelia is a daydreamer, constantly obsessing with fairy tales, she is naturally intrigued by this discovery. At night, she is summoned by a fairy to come to the labyrinth where she meets the Faun (Doug Jones). The Faun believes that Ofelia is the reincarnated Princess Moanna from another realm. The Labyrinth is the only way back, but to prove herself, Ofelia must perform three tasks before the moon is full. Ofelia’s tasks help her escape the difficulties she must face in every day life. When she is not flirting with the realm of the fantastic, she must come back to the perils of guerrilla warfare, her mother’s illness, and the cruelty of her stepfather. As the movie progresses, Ofelia has to rely even more on her tasks to help her cope her difficult conditions. Throughout the movie, Del Toro successfully blurs the line between reality and fantasy. The viewer cannot be sure if the fantastical events are real or in fact fabricated by Ofelia’s imagination. This uncertainty adds another dimension to the movie. It makes the viewer speculate the meaning of reality. Its captivating plot adds to Pan’s Labyrinth’s brilliance.
Aside from its brilliant plot, the high quality of acting and directing contributed to the beauty and flow of the film. I was incredibly impressed with Segri Lopez’s role as Captain Vidal. He turned his character into the perfect antagonist, one with not the slightest hint of hospitality. Equally impressive was Ariadna Gil’s performance as Carmen. Carmen’s personality goes through ups and downs as she suffers from her difficult pregnancy. Gil does a wonderful job of conveying the psychological strain Carmen is under. Although these actors clearly demonstrated their wonderful skills, Doug Jones brought the movie to a whole new level. Doug Jones plays two fantastical characters in Ofelia’s world. As the faun, he manages to walk on stilts, covered in make up while still portraying the personality of his character. For his second role, as a child-eating being, he is able to bring to life the gruesome monstrosity of his character without speech. Of course, this movie would not have even come to being without the director, Guillermo Del Toro. Since childhood, Del Toro was fascinated with fairy tales, much like Ofelia. I consider him a master of dark fantasy, as he has demonstrated in Pan’s Labyrinth. Many of his other movies are also astounding dark fantasy films. My favorite of which is Hellboy, a popular movie about the life of a devil struggling with his identity in the human world. With his background in make up artistry, Del Toro was able to bring his fantastical characters to life in both of these films. He truly understands the elements of a dark fantasy films as well as its link to fairy tales.
In addition to outstanding acting and directing, graphics, set design, and music all came together to create the mood of the movie. I have a deep appreciation for the graphics in Pan’s Labyrinth. All the fantastic creatures are somewhat distorted. For example, the Faun comes out of the Labyrinth as if he is part of the earth. He is dark brown and earth green in coloration. The setting is yet another contributing aspect to the mood of the film. In every realistic scene, the area is dark and gloomy. However, in many fantastical scenes, the setting is bright and beautiful. The music also contributes to the mood of the movie. For instance, when Ofelia is in danger, the music is ominous.
The movie in general is a spectacular example of a dark fantasy movie. It contains all the characteristic of a dark fantasy movie with its own twist. Pan’s Labyrinth surpassed my expectations and I would highly recommend it to all adult viewers. (The violence may be too much for a young audience.) In a nutshell, Pan’s Labyrinth is a harmonious dance between reality and fantasy backed up by wonderful performances. I give it three and a half out of four fairies!